I don’t know much about numerology but 2020 just feels good, doesn’t it?
As creative people with things to say, I declare 2020 the year we choose to abandon perfection and fear. Instead, let’s focus on creation, expression, trusting instincts, and following our inherent need to write.
No ifs, whens, or buts—just butts in seats.
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Ever try to read a story and find yourself thinking, I seriously don’t care what happens to these characters?
Maybe you’re a chapter in and already getting antsy, your mind drifting to dinner options. Or worse, bored on the very first page. If so, it doesn’t matter how amazing it gets because the writer is about to lose a reader.
Likability equals reader investment. No one voluntarily hangs with—and I’d argue that’s what pleasure reading is—someone they don’t care about (yet). It applies to heroes and villains and all the desirable real-life shades in between.
How then do you hook readers’ interest and empathy early on?
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It’s always thrilling to watch clients’ aspiration and hard work become published reality.
This month two very different projects hit the marketplace and are finding their audience.
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Everyone knows to capitalize names. I mean “patrick” looks so weird that spellcheck tried to automatically fix it. But it’s very common to get tripped up when we’re talking about Mom and Dad.
Or is it mom and dad? My Mom? Our dad?
What should be simple can leave you second-guessing or using inconsistently.
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As readers, there’s no better feeling than when we can’t put down a book.
But how do you keep readers invested in your work? How do you get them to tune out everything else and gladly get lost in your words?
Here’s a shortlist of vital ways to hold readers’ interest. And they don’t apply to thrillers only, as every work should be thrilling in its own way. Otherwise, the placed bookmark will simply note where the reader moved on.
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As daunting as it can seem, most literary agents and acquiring editors are open to discovering new talent. And a big part of that is reading first novel manuscripts. Unfortunately, first novels too often share writing tics, quirky choices, or downright clichés. These common missteps can hurt your chance of being the brilliant gem in their inbox.
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Writing simply often gets a bad rap. It's viewed as "dumbed down" or creatively limiting. Why should someone feel sad when they can be in a state of melancholy?
Read MoreHere's a simple but often overlooked rule to creating believable characters in your fiction.
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